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Stone Records - A Round-the-World Journey Through Ancient Pyramids (series introduction)

Why Pyramids? Why Everywhere?

Because pyramids solve two universal human problems:

  • How do we make something that lasts?
  • How do we reach what is above us?

The Great Pyramid of Khufu (the largest), as well as the pyramids of Khafre and Menkaure and a camel in the front line during the colorful sunset over the Giza plateau.

The Giza Plateau is home to three renowned pyramids: the Great Pyramid of Khufu (the largest), as well as the pyramids of Khafre and Menkaure. Constructed across three generations for the pharaohs Khufu, Khafre, and Menkaure, these monumental structures formed part of extensive royal funerary complexes and are celebrated as some of the world’s most iconic and ancient surviving wonders.

A pyramid is the most straightforward answer to both. Whether wrapped in limestone, buried under a jungle, disguised as a hill, or sculpted as a temple mountain, the pyramid is the closest thing we have to a shared global language.

Every culture rewrote the grammar, but the sentence remained the same. This series explores how and why.

What “Pyramid” Actually Means

1. Geometric meaning (mathematics & architecture)

A conceptual diagram illustrating the formula for the volume of a square pyramid.

The general formula for a pyramid's volume.

A pyramid is a solid geometric structure consisting of:

  • a base (most commonly square or rectangular, but can be triangular, pentagonal, etc.),
  • triangular faces rising from each edge of the base,
  • converging at a single apex (the top point).

The essential mathematical requirement:

A polygonal base + sides that meet at a single apex.

This definition alone covers:

  • Egyptian pyramids (square-base true pyramids)

The image provides key dimensions and construction details for the Great Pyramid of Giza (Khufu).

Key dimensions of the Great Pyramid of Giza - Khufu.

  • Mesoamerican pyramids (stepped pyramids do not converge to a single point but follow the same expanding-base logic)
  • Chinese pyramids (earthen truncated pyramids with flat tops)
  • Sudanese pyramids (steeper Egyptian variants)
  • Khmer temple-mountains (tiered pyramidal structures)

Architecturally, “pyramid” is used for any monument whose mass decreases with height in a geometric, tiered, or sloping way.


2. Etymological meaning (the word itself)

The pyramid originates from the Greek word "pyramis." The Greeks used it to describe Egyptian pyramids, but originally, pyramis referred to:

  • a type of wheat cake shaped like a triangular loaf
  • or any “fire-shaped” object (pyra = fire).

The image displays a pyramid-shaped sponge cake, cut and dusted with powdered sugar.

A wheat cake shaped like a pyramid, with white icing sugar on top.

The Greek term was borrowed because its shape matched. The Egyptians, Mexicans, Chinese, and Maya never used the word “pyramid” themselves.


3. Cultural meaning (across civilizations)

The word “pyramid” now represents a category of monumental architecture built for:

  • tombs (Egypt, China, Sudan)
  • religious rituals (Mexico, Guatemala, Cambodia)
  • astronomical functions (Maya, Aztec)

A group of individuals, possibly ancient Egyptians, observing the night sky with rudimentary astronomical instruments in front of the Pyramids of Giza.

Ancient Egyptian scholars observing the stars from one of the Giza pyramids at night, using period-appropriate devices.

  • state propaganda (Egypt, Sudan, China, Rome)
  • cosmic symbolism (Khmer, Maya)
  • power projection (all of them)

So culturally, a pyramid means:

A structure built wide at the base, narrowing toward the top, to express order, power, eternity, and human connection to the sky.


4. Symbolic meaning (anthropology & religion)

A pyramid typically symbolizes:

  • the axis mundi (connection between earth and heaven)
  • mountain of creation (Egyptian Benben stone, Maya sacred mountain, Khmer Mount Meru)
  • eternal stability (broad base, solid geometry)
  • social hierarchy (literal and metaphorical tiers)
  • cosmic order (alignments with solstices, stars, cardinal directions)

A diagram illustrating a social hierarchy pyramid, which visually represents the stratification of society into different classes based on wealth and power.

​A pyramid illustrates social hierarchy.

In all cases, it expresses verticality with purpose.


5. Functional meaning (what pyramids do)

A pyramid is a tool for:

  • housing the dead (tomb)
  • housing the gods (temple)
  • marking territory
  • anchoring celestial observations
  • formalizing ritual space
  • communicating imperial ideology
  • storing wealth, relics, or offerings
  • structuring processions (Khmer, Maya)
  • storytelling (hieroglyphic stairways, friezes)

The entrance and antechamber of the Tomb of Nefertari with exquisite wall paintings and hieroglyphs.

Ancient Egyptian Tomb with Colorful Hieroglyphs.

Its shape isn’t random:

It stabilizes significant, tall monuments using gravity, mathematics, and simple engineering principles.

6. Modern abstract meaning

Today, the word “pyramid” is used metaphorically to mean:

  • a layered structure (organizational pyramid)
  • a hierarchy (power pyramid)
  • a stable foundation supporting a narrowing peak
  • a system where many support the few
  • a shape associated with longevity, mystery, and human ambition

The image displays Maslow's hierarchy of needs, a psychological theory developed by Abraham Maslow that outlines a five-tier model of human motivation.

Another famous pyramid is Maslow's hierarchy of needs, also known as Maslow's pyramid. It is a psychological theory that arranges human needs into five levels, from the most basic to the highest. The pyramid suggests that individuals must satisfy the needs at the bottom before moving up to the next level.

The pyramid = the symbol of persistence.


Final, compressed “Master Definition”

A pyramid is:

A monumental structure with a broad base and progressively narrower upper levels, built by many civilizations as a stable form of architecture for tombs, temples, astronomy, political power, and cosmic symbolism. It represents vertical ambition, order, and permanence, and its geometric form emerges naturally across cultures without contact.


Where This Journey Takes You

Across seven chapters, we follow the architectural idea of the pyramid through time, space, and completely different worldviews:

✅ Egypt — The Pyramids of Giza

Where geometry meets cosmic ambition, and the last surviving Wonder dominates human imagination.

The image shows one of the Pyramids of Meroë, an ancient royal necropolis in Sudan.

A typical pyramid in Sudan (read in the following articles).

✅ Sudan — The Empire That Outbuilt Egypt

The Kingdom of Kush built more pyramids than Egypt, and hid one of the world’s most extraordinary desert landscapes in plain sight.

✅ China — The Pyramids They Pretend Are Hills

Imperial mausoleums disguised under forests, aligned to heaven, still unopened and half-forbidden.

✅ Mexico — Pyramids Built for Gods and Calendars

Teotihuacan and Chichen Itza: where architecture performs, echoes, aligns, and moves with the sky.

A young woman enjoys the view of the ancient Maya city of Chichén Itzá, Mexico.

A female tourist sits in front of the Chichen Itza pyramid in Yucatan, Mexico.

✅ Cambodia — Temple-Mountains of the Khmer Empire

Not pyramids in shape, but in purpose: sacred mountains recreating the universe in stepped stone.

✅ Guatemala — The Classic Maya Skyline Above the Jungle

Tikal, El Mirador, Yaxhá — vertical stone rising from rainforest crowns, built for dynasties and astronomy.

✅ Central America — The Forgotten Maya Pyramids

Belize, Honduras, El Salvador: the quieter half of the Maya world, rich with political artistry and ancient daily life.

The ancient Maya ruins of Xunantunich, located in Belize, feature the prominent structure known as El Castillo, a pyramid.

Xunantunich Maya ruins in Belize.

These chapters are not travel guides. They are architectural portraits — a global atlas of civilizations recording themselves in stone.


What Connects These Civilizations?

Nothing. And everything. They never met. They never shared blueprints. They never copied each other. Yet they all reached the same conclusion:

The vertical monument is the ultimate statement.

A pyramid is a declaration of power, cosmology, immortality, mathematics, ritual, and, sometimes, pure ego. Each chapter presents a distinct interpretation of the same concept.

Tourists with a guide at the Giza Necropolis in Egypt, featuring the Pyramids of Giza in the background.

An Egyptian tour guide at work.


✅ Where Local Guides Enter the Story

The stones survive. The meaning does not. This is why every chapter highlights the role of local tour guides — the human interpreters of ancient logic.

On PRIVATE GUIDE WORLD, guides from Egypt, Sudan, China, Mexico, Cambodia, Guatemala, Belize, Honduras, and El Salvador reveal:

  • symbolism
  • astronomy
  • dynastic drama

A large slice of cake resembles one of the Pyramids of Giza in Egypt. It humorously contrasts the historic monument with a typical dessert, playing on the pyramid's iconic shape.

Half pyramid - half cake: a tragic dulcification turns a sacred structure into a sweet treat - linguistic irony that distorts the true meaning, and as a result, the attitude of the population.

  • geology
  • religious logic
  • architectural methods
  • archaeological context
  • local myths and modern perspectives
  • (and yes, they will explain you can find the nearest WC as well)

Artistic depiction of an ancient Egyptian procession with a large crowd of people in white robes, carrying torches, and a golden shrine near the Pyramids of Giza.

Recreation of a possible solemn religious ritual at the Giza pyramids in ancient times, featuring a large crowd, flaming torches, and ceremonial processions at sunset.

Without them, pyramids are silent. With them, pyramids speak.


✅ Why We Must Stop Calling Them ‘Pyramids’

NONE of the ancient builders ever used the word “pyramid.” Not in Egypt, not in China, not in Mesoamerica, not anywhere. Every culture had its own, very different term.

The word “pyramid” is a Greek nickname for a triangular cake (pyramis). Western scholars borrowed it centuries later and stamped it across every sacred monument they didn’t understand. The result? A global intellectual catastrophe.

Geomag Magicube magnetic building cubes are designed to stimulate creativity and develop motor skills in children.

Most tourists view pyramids like a set of children's plastic blocks because they can build another pyramid from them. The ancient Egyptian builder would likely be very upset.

Today, most people look at a Mr, a Witz, a Ling, or a Prasat Meru and see… a geometry exercise. A “big triangle.” A stone toy without toilets and neon lights. The ancient builders would have been horrified. These structures were never about shape. They were cosmic engines, mountain replicas, heaven ladders, royal ascension zones, afterlife technologies, imperial mausoleums, and mathematical mirrors of the universe. By calling them “pyramids,” we flatten a sacred worldview into a child’s plastic stacking toy.

This series restores the original perspective. When you remove the modern mislabel, the ancient logic finally becomes visible. These were not piles of stones. They were spaces, designed to connect what is below with what is above.

The modern term “pyramid” has absolutely nothing to do with how ancient cultures perceived, named, or classified these structures. You assumed that “pyramid” reflects ancient thinking, but in every civilization, the term is a modern mislabel. Their own names were based on function, not shape.


A group of tourists with a guide in front of El Castillo (also known as the Pyramid of Kukulcán) at the ancient Mayan archaeological site of Chichén Itzá, Mexico.

A Mexican tour guide at work.

Our modern concept categorizes Egyptian, Maya, Chinese, and Khmer structures as if they were part of the same architectural category, which is intellectually lazy and historically inaccurate. “Pyramid” creates an illusion of a universal architectural idea; in reality, each culture built a distinct structure with its own name, worldview, and symbolic logic, serving a specific purpose. This means the humans project modern geometry onto civilizations that never shared that geometric or linguistic definition.

Surprised? It is precisely what happens when the modern label distorts ancient reality:

  • Egyptians built an ascension machine, not a pyramid.

The artwork blends traditional Egyptian architecture, such as obelisks, pyramids, and a central temple structure, with science fiction or fantasy elements like glowing energy and advanced technology.

Ancient civilizations believed that the ascension machine could detach people from their physical bodies, enabling them to live forever as pure energy on a higher plane. The pyramids were meant to function as these launching pads.

  • Chinese emperors built mausoleum mountains, not pyramids.
  • The Maya built artificial sacred mountains, not pyramids.
  • The Khmer built cosmic Mount Meru replicas, not pyramids.

The term "pyramid" has become a familiar and common word, even though the ancient builders never called these structures by that name. Most people are unaware of this because the shape is iconic, the Greek word is easy to remember, and ultimately, the word itself has become deeply ingrained in modern human consciousness, overshadowing all the sacred and social meanings that these magnificent structures held for the ancient Egyptians.

A gate and tower structure at the Zhao Mausoleum, also known as the Zhaoling Tomb, in Shenyang, China.

Zhaoling, also known as Beiling Northern Tomb, is the mausoleum of the second Qing emperor and his empress. The tomb is located in the northern part of Shenyang, in Liaoning province, China.

In their world, these weren’t shapes. They were cosmic instruments, portals, axis mundi replicas, royal ascension machines, holy mountains, eternal houses, power statements, and geometrized theologies. But the Greek word “pyramis” — a triangle cake — colonized global vocabulary, and everything sacred got crammed under a baker’s term.

The Pyramids of Giza in Egypt under a stunning night sky, likely the Milky Way galaxy.

Many pyramids, especially the Great Pyramid of Giza, are aligned with the cardinal points of the compass with remarkable accuracy. This is thought to have been achieved through astronomical observations.


However, in the past, the terms revealed what these structures actually meant.

Egypt

Term: mr (mer)

Meaning: “Place of ascension”

Notes: Focused on the upward transition of the King’s soul.

What the Ancient Egyptians Called It

They never said “pyramid.” The Egyptian term was mr (mer) — “the place of ascension,” “the ascending place,” or “the instrument of rising” for the King. This is the core term.

The top piece (pyramidion) was called:

  • benbenet (the feminine form of benben, the primordial mound of creation)

The Pyramids of Giza with a stylized, luminous figure ascending from the central pyramid.

The pyramid form may have symbolized a stairway for the pharaoh's soul to reach the heavens, or referred to the ancient mound of creation.

The entire complex (pyramid + temples + causeway) was called:

  • ḥwt (Hut) meaning “temple/estate,” followed by the King’s name.

Example:

  • “Hut Khufu” — “The Estate/Temple of Khufu”.

Sudan (Kingdom of Kush)

Term: bte / pete (likely, from Meroitic script)

Meaning: royal grave, burial monument

The image displays one of the Nubian pyramids located at the ancient city of Meroë in Sudan.

The ancient Nubian pyramids of Meroë in Sudan served as tombs for royalty and high-ranking officials of the Kingdom of Kush, which flourished from the 8th century BCE to the 4th century CE.

Notes: Term not fully decoded; context confirms funerary function.

What the Kushites Called It

Kushites were influenced by Egypt but had their own language (Meroitic), which is still partially undeciphered.

In the Meroitic language, the royal monument was likely called bte or pete, meaning “grave” or “a sacred royal tomb", not a geometric form.


China

Term: 陵 (líng)

Meaning: imperial mausoleum, mountain tomb

Notes: These were sacred burial mountains for emperors and empresses, imperial mausoleums.

A collection of the Terracotta Army, a form of funerary art depicting the armies of Qin Shi Huang, the first Emperor of China.

The world-famous Terracotta Army, part of the Mausoleum of the First Qin Emperor, is a UNESCO World Heritage Site located in Xian, China.

They were called:

陵 (líng) — mausoleum/tomb mound of an emperor

陵园 (língyuán) — mausoleum complex

山陵 (shānlíng) — “mountain-tomb” (very accurate)

These were cosmic and imperial landscapes, not architectural puzzles.


The image shows the Pyramid of the Sun, the largest building in the ancient Mesoamerican city of Teotihuacan, Mexico.

Panorama of the Pyramid of the Sun, the largest building in the ancient Mesoamerican city of Teotihuacan, Mexico.

Maya (Guatemala, Belize, Honduras, El Salvador)

Term: witz

Meaning: sacred mountain

Notes: Maya pyramids are man-made holy mountains that link the worlds.

Other functional terms:

  • teot — holy place
  • pitz — ritual platform

Aztec / Nahuatl (Mexico)

Term: teōcalli

Meaning: god-house

Notes: Temple-pyramids for rituals, sacrifices, and calendars.

The image shows a detailed view of the Temple of Kukulcán, commonly known as El Castillo, at the ancient Maya city of Chichén Itzá in Mexico.

The Temple of Kukulcán, commonly known as El Castillo, is located in the ancient Maya city of Chichén Itzá, Mexico. The stone carvings of the serpent god Kukulcán (also known as Quetzalcoatl) are prominently featured.

What Mesoamericans Called Them

Not “pyramids.” In Nahuatl, the temple was a teōcalli — “god-house.” In Maya regions, the structure served as a witz, a man-made sacred mountain. These were urban ritual mountains, not triangular monuments.

What the Maya Called It

Not a “pyramid.” A Maya stepped structure was a witz — a sacred mountain connecting the underworld, earth, and sky. These vertical monuments were cosmic landscapes, not architectural triangles.

A Maya stela is located at the archaeological site of Copán in western Honduras.

A Maya stela located at the ancient archaeological site of Copán in western Honduras served as both a portrait and a historical record, with glyphs recounting dynastic timelines, astronomical cycles, and sacred rituals.

What the Southern Maya Called Them

Never “pyramids.” These were witz (sacred mountains) or regional ritual platforms. In Honduras, Copán’s monuments served as dynastic mountain houses, linking rulers to the gods. Their purpose was cosmological, not geometric.


Khmer Empire (Cambodia)

Term: prasat

Meaning: temple tower

Concept: Meru

A fantastical, celestial kingdom often associated with Mountain Meru - spiritual or mythical concepts.

Mount Meru symbolizes the center, or axis, of the physical, metaphysical, and spiritual universes in Hindu, Jain, and Buddhist cosmologies. It is a sacred, five-peaked mountain revered as the abode of gods and a source of all rivers.

Meaning: cosmic mountain at the center of the universe

What the Khmer Called It

No Khmer text uses “pyramid.” The temple-mountains were prasat, meaning temple towers, built as earthly versions of Mount Meru, the cosmic center of the universe. Each one was a cosmic mountain, not a shape.


Conclusion

The modern word “pyramid” is a convenient geometric simplification. The ancient terms reveal the truth: these were not “shapes,” but spaces designed to represent cosmology, divinity, kingship, and the structure of the universe. This series restores the original perspective. When you remove the modern mislabel, the ancient logic finally becomes visible. These were not piles of stones.

Wallpaper with an abstract, fiery-toned planet with glowing, particle-filled rings, with a vibrant, energetic appearance of intense heat or a celestial event.

Cosmology is the study of the origin, evolution, structure, and eventual fate of the universe. It seeks to answer fundamental questions about the cosmos as a whole, from the Big Bang to its present state.


Why This Series Exists

Because most articles on pyramids repeat the same 20 facts.Because “ancient wonders” are usually described with clichés. Because the global story of pyramidal architecture is rarely told as one narrative. This series rejects banality, rejects thirty-second explanations, and rejects the boredom that both generate. It’s a world tour of ambition, mathematics, imperial ego, religious imagination, cosmic alignment, and stone engineered to speak across time. If pyramids are records, this is the attempt to read them.


Join Us For This Journey

An artistic collage showcasing the diversity and grandeur of ancient human constructions of East Asian Architecture, Mesoamerican and Egyptian Pyramids, and Middle Eastern/Mediterranean Structures.

A collection of the pyramids we are going to explore in the following 7 articles of this series.

Start with whichever continent calls you:

Egypt → Sudan → China → Mexico → Cambodia → Guatemala → Central America

Each chapter stands alone and will appear weekly. Together, they form a global map of humanity's attempts to read the records in stone and to reach the heavens — one stone at a time.


✅ Anti-Gossip Paragraph (Contemporary Civilization)

Modern fascination with ancient Egypt often collapses into gossip about royal families. But the Egyptians themselves were busy building cosmic machines, not tabloids. Modern content usually obsesses over pharaohs’ bedrooms, but the Egyptians themselves cared much more about ascension, cosmic order, and eternal kingship. Sibling marriage among pharaohs was inspired by the divine pair of Isis and Osiris; it was a theological, not romantic, practice.

The image displays large seated statues of Ramesses II at the entrance pylon of the Luxor Temple in Egypt.

Pharaoh Rameses II Statue in Luxor Temple, Egypt, Africa.

If you want a gossip-driven civilization, don’t look to the Egyptians or the Maya. Look at us. Modern culture can’t examine an ancient monument without turning it into a tabloid headline. We reduce sacred architectures to triangles, cosmic kingship to “weird family stories,” and world-models to “big piles of stones.” The tragedy isn’t that ancient people misunderstood the universe; it's that they didn't. The tragedy is that contemporary civilization has lost the capacity to see anything beyond scandal, comfort, and entertainment.

The ancients built cosmic machines.

We build distractions.

 

Read our previous article — The soul's call to become a tour guide

Read our next article — For whom will the work of a local tour guide be an occupation for the soul?

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